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Production micro-tools

The small jobs that eat a week: a door slam that doesn't exist, a line that needs re-recording, captions that survive the TikTok UI, a grade that matches a favourite film, a teaser by Friday, a deck for the market, main titles, and the cue sheet a festival will ask for.

Production micro-tools

8 tools
Alt+1 / Alt+2 / Alt+3 to switch bench
Live cutting room
1
Shared playhead
00:00:00:00
frame 0 · moved by timeline
Micro-foley & sound FX synthesiser
Describe a sound and it is synthesised on the spot — grains, decay and body pitch come from the words you used.
Reading it as
Cloth & rustle
at neutral weight · 6 recipe families available.
Audio chain presets

No saved setups yet for this project — dial the bench in, then save it.

Snapped to frame 0 at 24 fps — the same grid the captions, LUT and trailer benches use.

ADR polish & lip-sync re-targeter
One click turns a phone take into a booth take, then the mouth geometry is re-timed to the new line — the same path a foreign-language dub takes.
Audio chain presets

No saved setups yet for this project — dial the bench in, then save it.

Lip-sync preview

Polish a take to generate the viseme track.

Deliverables

0
Teasers, title cards, credit rolls and decks, ready to hand over.

Nothing rendered yet — export a teaser, title card, credit roll or deck and it appears here.

Specialized micro-tools

7 tools
Alt+1 / Alt+2 / Alt+3 to switch bench
Dialect & accent shifter
Regional phonetic modulation over a recorded stem — vowel colour, rhotics and sibilance move, the actor's pitch, timing and intensity stay exactly where they were.

Keeps the take length frame-identical for lip-sync.

Script coverage & beat analyser
Paste a Fountain draft: three-act pacing, momentum per scene, character screen-time and the plot holes a reader will circle.
3 scenes
2 speaking roles
Dialogue : action 0.66
Act I — setup1 sc · 33%
Act II — confrontation1 sc · 33%
Act III — resolution1 sc · 33%
  • MARA76.2% · 2 lines
  • DECLAN23.8% · 1 lines
  • warn
    Act II is thin; the middle may feel rushed.
  • info
    DECLAN speaks once — consider folding the role in.

Advanced production micro-tools

12 tools
Press Cmd/Ctrl + K to jump to a tool
Call sheet & daily shoot scheduler
Paste the day's pages: shoot order, staggered cast calls, location details and weather notes come out as a printable call sheet.
2 scenes
2 cast
First shot 08:00
Est. wrap 18:00
THE KEEPER'S LOG — CALL SHEET
Day 1 of 1 · 2026-10-13

LOCATION: Hook Head Lighthouse
ADDRESS: Churchtown, Co. Wexford, Ireland
CREW CALL: 07:00   FIRST SHOT: 08:00   EST. WRAP: 18:00
WEATHER: Squalls, 11°C, gusting 40 km/h   SUNRISE: 06:41   SUNSET: 20:12

SHOOT ORDER
    1  INT/NIGHT  1/8  INT. LIGHTHOUSE - NIGHT  [MARA]
    2  EXT/NIGHT  1/8  EXT. CLIFF PATH - NIGHT  [DECLAN]

CAST CALLS
  Mara as MARA — pick-up 06:30, make-up 07:00, on set 08:00
  Declan as DECLAN — pick-up 06:45, make-up 07:15, on set 08:15

NOTES
Wet-weather cover in the boat house. Tide peaks 19:20 — no cliff work after 19:00.
AI script breakdown & prop tagger
Props, wardrobe, VFX, stunts and extras tagged in the industry colours, then rolled into a stripboard and a scene budget sheet.
Props · 1Wardrobe · 1VFX · 2Stunts · 1Extras · 1Vehicles · 1Animals · 2Sound FX · 0
CatCoatCrowCrowdExplodesFallsHologramRopeTruck
  • #1EXT/DAYHARBOUR1/8MARA
  • #2INT/NIGHTWAREHOUSE1/8DECLAN
Est. element spend 2,765
1 shoot days
Dynamic storyboard animatic builder
Storyboard frames become a playable animatic with pans, pushes and trucks, synced against a scratch audio track.
0 panels
    360° location scout & HDRi synthesizer
    Generates 2:1 equirectangular environment plates with a real sun disc and falloff, ready for 3D background staging and reflection passes.
    Sun at 11° elevation
    Haze 35%
    Foley by mimicry
    Make the sound with your mouth — a whoosh, a thud, a scrape — and the engine keeps your exact timing and dynamics while re-voicing it as real wood, metal, glass, cloth, gravel or water.
    Dynamic score auto-conductor
    Give the scene's emotional intensity over time and the conductor returns tempo, dynamic marking, mode and orchestral forces for every cue — the spotting session, done in a pass.
    Anamorphic bokeh & lens character
    Squeezes highlight bloom into oval anamorphic bokeh with the horizontal flare of a 2× scope lens.
    4-stem audio isolator
    Splits any mix into vocals, drums, bass and other, in the browser. This is a band and mid/side separation — good for ducking, karaoke beds and quick re-balances, not a mastering-grade neural demix.
    Interactive manga reader
    Guided-view reading for your finished pages, with right-to-left page order and keyboard paging.
    No pages

    Tap the leading half of the page to advance; arrow keys work too.

    VR180 immersive exporter
    Projects a frame into a side-by-side VR180 stereo pair with adjustable interocular distance, ready to load on a headset.
    Product placement inpainter
    Mark the surface — a billboard, a can, a shopfront — and Eido writes the exact inpainting brief with perspective, lighting and scale notes for the placement pass.
    Broadcast legalizer
    Measures integrated loudness, loudness range and true peak, then normalises to EBU R128 (−23 LUFS), ATSC A/85 (−24) or a streaming target (−14) with a −1 dBTP ceiling. Measurement is a K-weighted approximation — check against your deliverable spec before final QC.

    Specialized finishing micro-tools

    9 tools
    Press Cmd/Ctrl + Shift + K to jump to a finishing tool
    SAG-AFTRA Day-out-of-Days generator
    Turns a scene breakdown and a shooting order into the status grid a production office actually files — Start, Work, Hold, Travel, Drop, Finish and post Pickups — then prices the holds against travel days so you can see what a re-order saves.
    Day out of Days status matrix
    Cast123456W / H / TCost
    Marlow RyeSHTHF·2 / 2 / 1$10,800
    Ada VanceSWTHHF3 / 2 / 1$9,900
    Juno Parkweekly·STWF·3 / 0 / 1$6,000
    Cast total $26,700
    Idle holds $8,400
    Travel $2,700
    Optimised order $18,000 · saves $8,700
    • Marlow Rye is held 2 days between day 1 and 5 — $4,800 of idle hold. Consolidating their scenes, or dropping and re-starting them, recovers most of it.
    • Ada Vance is held 2 days between day 1 and 6 — $3,600 of idle hold. Consolidating their scenes, or dropping and re-starting them, recovers most of it.
    Production budget & tax incentive engine
    A working top sheet: SAG pension & health and IATSE fringes on qualifying labour, payroll tax, your contingency, and the regional rebate applied only to qualifying local spend — so the number you take to investors is the net one.

    Includes the 10% uplift for the state logo.

    Direct costs$2,310,000
    Fringes$332,640
    Contingency 10%$264,264
    Total budget$2,906,904
    Qualifying local spend$2,325,523
    Georgia — 30% transferable rebate-$697,657
    Net cost after incentive$2,209,247
    Cost per shoot day$121,121
    Rebate covers 24.0% of the budget
    Script revision colour & change-bar tracker
    Cycles the standard draft colours — white, blue, pink, yellow, green, goldenrod, buff, salmon, cherry — and asterisks every changed line so only the affected pages need re-issuing to the crew.
    White (production draft)
    2 changed lines
    ~1 page(s) to re-issue
    INT. RADIO STATION - NIGHT
     
    MARA cues the record. The needle hisses.
     
    MARA
    *That one's for whoever's still driving.
     
    *She kills the studio lights.
    Style Locked: Style
    Active Cast: No cast