the control room
Music studio
Record, arrange and mix on eight lanes with real Web Audio inserts, score a scene algorithmically, master to a streaming or theatrical target, and design the sleeve — without leaving the browser.
Master bus inserts
Select a clip to slice, trim, time-stretch or crossfade it on the tempo grid.
Genre & style matrix
One switch sets the tempo, quantize grid, instrument palette, composer vocabulary and master-bus chain for the discipline you are working in.
- Tempo
- 130–150 BPM (half-time 65–75)
- Grid 1/16 · straight
- Master target
- -10 LUFS · -0.8 dBTP
- Heavy sub-bass push with punchy transients; -9 to -11 LUFS.
- Core elements
- Tuned 808 sub-bass with glide · 1/32 triplet hi-hat rolls · Layered hard snares · Dark minor melody chops
AI composer prompt
Hip-hop / Trap cue at 96 BPM, quantized to 1/16. Instrumentation: tuned 808 sub-bass with portamento glide; triplet hi-hat rolls at 1/32; layered clap-snare stack; dark natural-minor melody chops; sparse half-time pocket. Arrangement: Tuned 808 sub-bass with glide, 1/32 triplet hi-hat rolls, Layered hard snares, Dark minor melody chops. Mix intent: Heavy sub-bass push with punchy transients; -9 to -11 LUFS.
Mastering control
Measure the bus, A/B the chain against the raw lanes, and dial the genre DSP in or out.
Integrated
—LUFS
Measure to read loudness
True peak
—dBTP
Ceiling -1 dBTP
Loudness range
—LU
Dynamic spread
Hear the raw lane sum with every insert out of circuit.
Pulls EQ moves, compression ratio, tape drive and space back toward neutral.