Comics & Webtoons / Comic to film
the cutting room
Multi-track timeline editor
Five lanes — V1 main scene, V2 overlays and title cards, A1 dialogue, A2 Foley, A3 score. Scrub at millisecond precision, split with the razor, and export straight from the browser.
The programme monitor shows the drawn frame under the playhead.
No clip under the playhead
Scrub the ruler or press Space to roll.
Shortcuts — Space play/pause, C razor split, V select, M magnet, Shift + Delete ripple delete. Drag a clip's edge brackets to trim in and out points.
Pacing & beats
Load a script to see the rhythm heatmap and structure markers.
Virtual camera rig
Select a clip on V1 to block a dolly, Dutch tilt, whip pan or handheld move.
Cinematography bay
Draw a shot to grade it.
Red glow blooming off highlights, as on real film.
Horizontal flare through the anamorphic front element.
Edge wrap from a wide anamorphic taking lens.
Silver-halide texture over the whole frame.
Corner falloff from an open stop.
Virtual gaffer rig
45-degree camera-right tungsten key light at 100% output, cool white fill holding shadow detail, daylight rim light from direct back separating the subject from the background
Coverage
Select a clip to shoot a reverse angle of the same beat.
Take stack
Select a clip to stack alternate takes inside it.
Frame repair brush
Paint over the artifact — a mangled hand, a stray line — and describe the fix. Only the masked pixels are redrawn.
Select a clip with a drawn frame to paint a repair mask.
Spatial dialogue panner
Select a clip to seat its voice where the speaker is standing.
Director's redline
Select a drawn clip to mark it up with the grease pencil.
Scrub monitor
Drag the playhead to inspect morphs and effects frame by frame before you export.
Stuttering? Drop the VFX quality in the VFX layer panel — it lightens the scrub and the export together.
VFX layer
Lightning, auras, glyphs and shockwaves on the FX lane above V1.
Trades particle density and glow bloom for speed. Applies to the scrub monitor and the master export, so raise it back to Master before final delivery.
Select a shot on the timeline to lay an effect over it.
Combat & Dark Cinema
Colourway
Select a shot on the timeline to stage combat damage.
Animation motion traditions
Choose a motion lineage, frame cadence and secondary-physics feel for this look.
Noticeable overlapping-action lag on hair, cloth and limb tips.
Injected into the render prompt: 1990s Golden Age 2D feature animation, Don Bluth style, fluid character secondary physics, hand-inked line art, lush gouache background plates
Smear & frame-pacing FX
Queue frame-level FX descriptors — each one is a prompt/timeline clause, not a render.
Inserts a single inverted black-and-white frame on the hit beat.
Nothing queued yet — insert an FX above to add its clause to the shot prompt.
Cinematic Genre OS
Daytime & telenovela drama
High-drama camera and lighting recipes. Hover to rehearse the move, click to block it on the selected clip.
Select a clip on V1 to block a drama move.
Mockumentary operator
Shoulder-rig moves that feel unscripted: crash zooms with overshoot, autofocus hunts, obstructed peeping zooms and whip reframes.
cinéma vérité style, handheld camera operator motion, sudden comedic snap zoom, momentary autofocus hunt, unchoreographed naturalistic lighting, documentary realism
Select a clip on V1 first.
Talking-head & split-screen builder
documentary talking-head confessional, subject on the rule-of-thirds line looking slightly off-camera toward an interviewer, soft practical key, office background bokeh, subject placed on the left third of frame, lower-third chyron reading "MARCUS CHEN" / "Assistant (to the) Regional Sorcerer", cinéma vérité style, handheld camera operator motion, sudden comedic snap zoom, momentary autofocus hunt, unchoreographed naturalistic lighting, documentary realism
Episode cliffhanger outro
Freezes the selected dramatic reaction, grades it for the act-out, and drops a sting under the hold before the credits roll.
Select the reaction clip you want to freeze on. Currently 0 clips in the cut.
Master ink & paper grade
Applied to every frame of the finished render — no scene needs redrawing.
How black the linework prints.
Paper white against ink.
Cool bond to aged sepia.
Darkened frame edges.
Cel dust and paper tooth.
Draw a scene to preview the grade.
Dub & subtitles
25 languages. Subtext survives, the cast keeps its own voice, and the mouths are redrawn to the new phonetics.
es-ES · Longer lines; keep the wit, not the wordplay.